As there is only 4 months until SECS FEST 2018 (Sept 7-9), SECS staff are busy watching submissions and making plans for September. However, we are also still holding special screenings each month of features that won’t be at the festival and for May, we are joining forces with Something Weird and the American Genre Film Archive (AGFA) to bring the new 2K restoration of TAKE IT OUT IN TRADE (1970).
TAKE IT OUT IN TRADE was thought to be among Edward Wood Jr.’s lost films. Made in 1970 after a 10 year hiatus, Wood wrote, directed, and appears as Alecia, in this comedic sexploitation romp.
Edward D. Wood, Jr. was the filmmaker behind PLAN 9 FROM OUTER SPACE and the author of hundreds of novels, including KILLER IN DRAG. He was a pall-bearer at Bela Lugosi’s funeral. Wood fought in the Pacific Ocean theater during World War II while wearing a bra and panties under his uniform. Basically, there will never be another hero like Ed Wood. And there will never be another movie like TAKE IT OUT IN TRADE. Unseen for almost fifty years, this is a surreal sexploitation detective comedy that would feel right at home on a triple-bill with John Waters’s MULTIPLE MANIACS and Russ Meyer’s THE IMMORAL MR. TEAS. With delirious narration by Wood himself, positive depictions of LGBTQ relationships, and a miraculous role by Ed Wood in drag as “Alecia,” TAKE IT OUT IN TRADE is a joyous swan song from one of the most seminal exploitation filmmakers of all time.
After being unavailable for decades, AGFA and Something Weird are behind the brand new 2K Restoration that we will be exhibiting. And AGFA’s Joe Ziemba and Sebastian del Castillo will be present to introduce the film and delve into the work’s history and importance among Ed Wood’s filmography.
We are still accepting submissions for SECS FEST 2018, but the final deadline is rapidly approaching. So make sure that you finish and submit your erotic film by June 1 and we’ll see you at the festival!
And for the first time, the Seattle Erotic Cinema Society has provided a film for exhibition at SEAF. So if you attend the Art festival, make sure to look for the film kiosk as if you peek inside, you will see Neil Needleman’s experimental work that was included in Sexperimental Short Films at SECS FEST 2017.
Bedtime Stories is part of Needleman’s ongoing Cellular Activity series, videos that are based on looped “cells” that evolve and transform, usually on a single-frame level. In this film, hardcore porn footage, mostly derived from old VHS tapes, was used to create the visually more rhythmic short composed of repeated images of the thrusting and heaving motions that is explicitly on display in pornography.
So if you missed the film at SECS FEST 2018, you can see the silent version of the film all weekend at the Art Festival. Actually, Neil intended the film to be viewed as part of a gallery exhibition and the soundtrack was added for SECS FEST.
Tomorrow we will be showing two beautifully made erotic films from Venezuelan filmmaker Maria Beatty. Founder of Bleu Productions, her work explores lesbian sexuality and fetishism and we will be showing two film exploring BDSM and bondage, The Black Glove and Silken Sleeves.
In preparing for tomorrow’s event, SECS has stumbled upon a couple of very relevant videos. Before Maria Beatty invented the new genre “erotic noir”, she was photographing New York City musicians and performance artists. And in the early 1990s, she worked with Annie Sprinkle to create The Sluts & Goddesses Video Workshop, or How to be a Sex Goddess in 101 Easy Steps.
So we’re hold a SECS FEST 2018 Fundraiser. We are still short funds for renting the festival venue, acquiring the rights to the films in our archival program, advertising the festival, etc.
So these fantastic videos will be raffled on Saturday. Raffle tickets start at only $2.
You might also consider purchasing a SECS FEST lapel pin or stickers.
And memberships are only $50 and get you exclusive access to festival full series passes..
BIJOU Wakefield Poole (1972, USA) 75 minutes Acclaimed director Wakefield Poole (Boys in the Sand) set a new standard for explicit gay cinema with his second feature BIJOU in 1972. Surreal and trippy, the film[...]